暂无剧情简介

暂无剧情简介

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

暂无剧情简介

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

《Dil Tera Deewana》是一部获奖的浪漫喜剧 Hindi 电影，由 B.R Panthulu 执导并制作，沙米·卡普尔（Shammi Kapoor）、玛拉·辛哈（Mala Sinha）和梅赫穆德（Mehmood）担任主演。它曾获得一项 Filmfare 奖。莫汉（Mohan）的父亲决定把他送到一位前陆军上尉家中，以便让他变得守规矩。莫汉不愿意听从上尉的命令，于是让他的朋友和他互换身份……

A couple, a forest, a lot of pain.

After being diagnosed with progressive Parkinson's disease, the legendary Croatian experimental filmmaker Ivan Faktor (b. 1953) decides to visualise his physical state with a mobile phone camera. Through interventions into received documentary modes, he creates a surprisingly spirited inner world of an artist imprisoned in space. This is filmmaking as the act of self-preservation. 源自：https://iffr.com/en/iffr/2024/films/pain

暂无剧情简介